Course Description
Pub Rhet & Prac Comm Online, CAT 125R
Online upper-division composition course in public rhetoric and practical communication, including oral presentation, writing in print formats, and digital content-creation. This course also focuses on how writing can support and extend experiential learning before, during, or after students complete their Practicum.
Key Information
Credit: 4 quarter units /
2.67 semester units credit
UC San Diego, CAT
Course Credit:
Upon successful completion, all online courses offered through cross-enrollment provide UC unit credit. Some courses are approved for GE, major preparation and/or, major credit or can be used as a substitute for a course at your campus.If "unit credit" is listed by your campus, consult your department, academic adviser or Student Affairs division to inquire about the petition process for more than unit credit for the course.
UC Berkeley:
Unit Credit
UC Davis:
Unit Credit
Contact your adviser regarding petition for more than unit credit
UC Irvine:
Course Equivalence: Equivalent to: WR 139: Advanced Composition
UC Los Angeles:
Major Requirement: ENGLISH Major=UD Elective
UC Merced:
Units toward degree (see your adviser)
UC Riverside:
General Education: Elective units
UC San Diego:
General Education: Sixth College upper division writing req.
UC San Francisco:
Unit Credit
UC Santa Barbara:
Course Equivalence: UCSB WRIT105DR
General Education: Area A2 - English Reading and Composition
UC Santa Cruz:
General Education: TA
Course Fees
None
More About The Course
https://www.youtube.com/playlist?list=PLbbCsk7MUIGdBv-jlHTn2UYRLJK4rrH0m
Course Creators

Elizabeth Losh
Elizabeth Losh is the author of Virtualpolitik : An Electronic History of Government Media-Making in a Time of War, Scandal, Disaster, Miscommunication, and Mistakes (MIT Press, 2009) and The War on Learning: Gaining Ground in the Digital University (MIT Press, 2014). She is the co-author of the comic book textbook Understanding Rhetoric: A Graphic Guide to Writing (Bedford/St. Martin's, 2013) with Jonathan Alexander. She is currently working on a new monograph, tentatively entitled Obama Online: Technology, Masculinity, and Democracy . She writes about the digital humanities, distance learning, media literacy, and the rhetoric surrounding regulatory attempts to limit everyday digital practices. She has written a number of frequently cited essays about communities that produce, consume, and circulate online video, videogames, digital photographs, text postings, and programming code. The diverse range of subject matter analyzed in her scholarship has included coming out videos on YouTube, videogame fan films created by immigrants, combat footage from soldiers in Iraq shot on mobile devices, video evidence created for social media sites by protesters on the Mavi Marmara , remix videos from the Arab Spring, and the use of Twitter and Facebook by Indian activists working for women's rights after the Delhi rape case. Much of this body of work concerns the legitimation of political institutions through visual evidence, representations of war and violence in global news, and discourses about human rights. This work has appeared in edited collections from MIT Press, Routledge, University of Chicago, Minnesota, Oxford, Continuum, and many other presses. She is Director of the Culture, Art, and Technology program at Sixth College at U.C. San Diego, where she teaches courses on digital rhetoric and new media. She is also a blogger for Digital Media and Learning Central, and a Steering Committee member of HASTAC and FemTechNet .
Elizabeth Losh is the author of Virtualpolitik : An Electronic History of Government Media-Making in a Time of War, Scandal, Disaster, Miscommunication, and Mistakes (MIT Press, 2009) and The War on Learning: Gaining Ground in the Digital University (MIT Press, 2014). She is the co-author of the comic book textbook Understanding Rhetoric: A Graphic Guide to Writing (Bedford/St. Martin's, ...

Elizabeth Losh is the author of Virtualpolitik : An Electronic History of Government Media-Making in a Time of War, Scandal, Disaster, Miscommunication, and Mistakes (MIT Press, 2009) and The War on Learning: Gaining Ground in the Digital University (MIT Press, 2014). She is the co-author of the comic book textbook Understanding Rhetoric: A Graphic Guide to Writing (Bedford/St. Martin's, 2013) with Jonathan Alexander. She is currently working on a new monograph, tentatively entitled Obama Online: Technology, Masculinity, and Democracy . She writes about the digital humanities, distance learning, media literacy, and the rhetoric surrounding regulatory attempts to limit everyday digital practices. She has written a number of frequently cited essays about communities that produce, consume, and circulate online video, videogames, digital photographs, text postings, and programming code. The diverse range of subject matter analyzed in her scholarship has included coming out videos on YouTube, videogame fan films created by immigrants, combat footage from soldiers in Iraq shot on mobile devices, video evidence created for social media sites by protesters on the Mavi Marmara , remix videos from the Arab Spring, and the use of Twitter and Facebook by Indian activists working for women's rights after the Delhi rape case. Much of this body of work concerns the legitimation of political institutions through visual evidence, representations of war and violence in global news, and discourses about human rights. This work has appeared in edited collections from MIT Press, Routledge, University of Chicago, Minnesota, Oxford, Continuum, and many other presses. She is Director of the Culture, Art, and Technology program at Sixth College at U.C. San Diego, where she teaches courses on digital rhetoric and new media. She is also a blogger for Digital Media and Learning Central, and a Steering Committee member of HASTAC and FemTechNet .

Alexandra Sartor
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