Course Description

Iranian 103A: Advanced Persian: Introduction to Classical Persian Poetry, IRANIAN 103A

Lecture, three hours. Requisite: course 102C. Students who do exceptionally well in course 20C may be permitted to enroll with consent of instructor. May be taken independently for credit. P/NP or letter grading.

Key Information

Credit: 4 quarter units / 2.67 semester units credit
UC Los Angeles, Near Eastern Languages and Cultures

Course Credit:

Upon successful completion, all online courses offered through cross-enrollment provide UC unit credit. Some courses are approved for GE, major preparation and/or, major credit or can be used as a substitute for a course at your campus.

If "unit credit" is listed by your campus, consult your department, academic adviser or Student Affairs division to inquire about the petition process for more than unit credit for the course.

UC Berkeley:
Unit Credit

UC Davis:
General Education: AH, WC.

UC Irvine:
Unit Credit

UC Los Angeles:
Major Requirement: Requirement for Iranian Studies Major/Minor

UC Merced:
Unit Credit (see your Academic Advisor)

UC Riverside:
General Education: Elective units

UC San Diego:
General Education: ERC meetings foreign language proficiency; TMC 1 course toward upper division disciplinary breadth if noncontiguous to major; Sixth- 1 NAHR; Revelle - Foreign Language Requirement -third semester/intermediate level or fourth quarter course required for proficiency, Seventh - 1 course towards Alternatives - Humanities

UC San Francisco:
Unit Credit

UC Santa Barbara:
General Education: Area G - Literature

UC Santa Cruz:
Unit Credit

Prerequisites

Iranian 102C: Must earn D- or better.

Course Creators

Isamara Ramirez
Kathlyn (Kara) Cooney

Dr. Kathlyn (Kara) Cooney is a professor of Egyptian Art and Architecture at UCLA. Specializing in craft production, coffin studies, and economies in the ancient world, Cooney received her PhD in Egyptology from Johns Hopkins University. In 2005, she was co-curator of Tutankhamun and the Golden Age of the Pharaohs at the Los Angeles County Museum of Art. Cooney produced a comparative archaeology television series, entitled Out of Egypt, which aired in 2009 on the Discovery Channel and is available online via Netflix and Amazon.

The Woman Who Would Be King: Hatshepsut’s Rise to Power in Ancient Egypt, Cooney’s first trade book, was released in 2014 and benefits from her expert perspective on Egypt’s ancient history to craft an illuminating biography of its least well-known female king. As an archaeologist who spent years at various excavations in Egypt, Cooney draws from the latest field research to fill in the gaps in the historical record of Hatshepsut.

Cooney’s current research in coffin reuse, primarily focusing on the 19th and 21st Dynasties, is ongoing. Her research investigates the socioeconomic and political turmoil that have plagued the period, ultimately affecting funerary and burial practices in ancient Egypt. This project has taken her around the world over the span of five to six years to study and document nearly 300 coffins in collections, including those in Cairo, London, Paris, Berlin, and Vatican City.

Dr. Kathlyn (Kara) Cooney is a professor of Egyptian Art and Architecture at UCLA. Specializing in craft production, coffin studies, and economies in the ancient world, Cooney received her PhD in Egyptology from Johns Hopkins University. In 2005, she was co-curator of  Tutankhamun   and the Golden Age of the Pharaohs  at the Los Angeles County Museum of Art. Cooney produced a comparative ...

Dr. Kathlyn (Kara) Cooney is a professor of Egyptian Art and Architecture at UCLA. Specializing in craft production, coffin studies, and economies in the ancient world, Cooney received her PhD in Egyptology from Johns Hopkins University. In 2005, she was co-curator of Tutankhamun and the Golden Age of the Pharaohs at the Los Angeles County Museum of Art. Cooney produced a comparative archaeology television series, entitled Out of Egypt, which aired in 2009 on the Discovery Channel and is available online via Netflix and Amazon.

The Woman Who Would Be King: Hatshepsut’s Rise to Power in Ancient Egypt, Cooney’s first trade book, was released in 2014 and benefits from her expert perspective on Egypt’s ancient history to craft an illuminating biography of its least well-known female king. As an archaeologist who spent years at various excavations in Egypt, Cooney draws from the latest field research to fill in the gaps in the historical record of Hatshepsut.

Cooney’s current research in coffin reuse, primarily focusing on the 19th and 21st Dynasties, is ongoing. Her research investigates the socioeconomic and political turmoil that have plagued the period, ultimately affecting funerary and burial practices in ancient Egypt. This project has taken her around the world over the span of five to six years to study and document nearly 300 coffins in collections, including those in Cairo, London, Paris, Berlin, and Vatican City.


D. Ingenito
Domenico Ingenito (born in 1982 in Vico Equense, Italy; Ph.D. Università di Napoli "L'Orientale") is Director of the Program on Central Asia and Assistant Professor of Classical Persian at UCLA. His research interests center on premodern Persian poetry (in particular the history of lyric genres at the intersection of eroticisms and politics), rhetoric and prosody, hermeneutics, anthropology of ritual and symbolic representations (concepts of kingship, death elegies, poetry as a ritualized cultural performance), comparative literature (including Italian, Portuguese, Spanish, and Catalan), hermeneutics, and translations studies. Among his publications: “Tabrizis in Shiraz are worth less than a dog: Sa?d? and Hum?m, a lyrical encounter,” in Politics, Patronage and the Transmission of Knowledge in 13th–15th Century Tabriz, ed. J. Pfeiffer, Brill, 2013; “Jahan Malik Khatun: Gender, Canon, and Persona in the Poems of a Premodern Persian Princess.” Forthcoming publications include: Beholding Beauty: Sa‘di and the Persian Lyric Tradition (book manuscript); ‘Obayd Z?k?ni: Canzoni d’amore e versi osceni (book manuscript); “Mahmud’s New Garden in Balkh: Practicing Literary Archeology”; and “Hafez’s ‘Shir?zi Turk’: a Geopoetical Approach.” Domenico was a lecturer in Persian Literature at the University of Oxford (UK) from 2011 through 2013, and since 2010 he has taught Persian language and literature at the Harvard and Koç Universities Summer School in Ottoman Studies.
 
Domenico Ingenito (born in 1982 in Vico Equense, Italy; Ph.D. Università di Napoli "L'Orientale") is Director of the Program on Central Asia and Assistant Professor of Classical Persian at UCLA. His research interests center on premodern Persian poetry (in particular the history of lyric genres at the intersection of eroticisms and politics), rhetoric and prosody, hermeneutics, ...

Domenico Ingenito (born in 1982 in Vico Equense, Italy; Ph.D. Università di Napoli "L'Orientale") is Director of the Program on Central Asia and Assistant Professor of Classical Persian at UCLA. His research interests center on premodern Persian poetry (in particular the history of lyric genres at the intersection of eroticisms and politics), rhetoric and prosody, hermeneutics, anthropology of ritual and symbolic representations (concepts of kingship, death elegies, poetry as a ritualized cultural performance), comparative literature (including Italian, Portuguese, Spanish, and Catalan), hermeneutics, and translations studies. Among his publications: “Tabrizis in Shiraz are worth less than a dog: Sa?d? and Hum?m, a lyrical encounter,” in Politics, Patronage and the Transmission of Knowledge in 13th"15th Century Tabriz, ed. J. Pfeiffer, Brill, 2013; “Jahan Malik Khatun: Gender, Canon, and Persona in the Poems of a Premodern Persian Princess.” Forthcoming publications include: Beholding Beauty: Sa‘di and the Persian Lyric Tradition (book manuscript); ‘Obayd Z?k?ni: Canzoni d’amore e versi osceni (book manuscript); “Mahmud’s New Garden in Balkh: Practicing Literary Archeology”; and “Hafez’s ‘Shir?zi Turk’: a Geopoetical Approach.” Domenico was a lecturer in Persian Literature at the University of Oxford (UK) from 2011 through 2013, and since 2010 he has taught Persian language and literature at the Harvard and Koç Universities Summer School in Ottoman Studies.
 

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